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Titian
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Cain and Abel Titian22.jpg Painting ID:: 1695 |
Santa Maria della Salute, Venice | ||
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MANFREDI, Bartolomeo
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| Italian Baroque Era Painter, 1582-1622 Italian painter. In the 17th century he was known throughout Italy and beyond as Caravaggio's closest follower and his works were highly prized and widely collected. More than simply aping Caravaggio's style, Manfredi reinterpreted his subjects and rendered new ones, drawing upon Caravaggio's naturalism and dramatic use of chiaroscuro. His paintings were often praised by his contemporaries as equal to Caravaggio's and he was subsequently emulated and imitated by other Roman Caravaggisti during the 1610s and 1620s. Yet by the 18th century his works were forgotten or confused with those of Caravaggio himself, | ||||
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Cain and Abel new3/MANFREDI, Bartolomeo-464543.jpg Painting ID:: 28867 |
mk65 Oil on canvas 67 5/16x48in Pitti | ||
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EYCK, Jan van
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| Flemish Northern Renaissance Painter, ca.1395-1441 Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. | ||||
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Cain and Abel new4/EYCK, Jan van-664727.jpg Painting ID:: 32321 |
1425-29 Oil on wood, 212,9 x 37,1 cm | ||
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